[Études spécifiques]
Table of Contents Préface / Preface ; Nécrologie / Necrology - Daniel Arsenault ( 1957–2016 ) ; Daniel Arsenault : The scholarly legacy gone but not forgotten ; Dancing in the dark with firelight: the power of shaded paintings in the uKhahlamba-Drakensberg and surrounding areas, southeastern Africa – Aron Mazel ; Contextualising megalithic rock art on Neolithic chambered tombs: A Welsh perspective – George Nash ; Understanding landscape composition without rock art: A study of panel/canvas behaviour in the Valcamonica, Lombardy, Northern Italy – George Nash ; Prehistory of central Portugal: brief panoramic of rock art and archaeometry studies – Sara Garcês, Hugo Gomes, Luiz Oosterbeek, Pierluigi Rosina ; Pleistocene Art at the Beginnings of the Twentieth-First Century: Rethinking the place of Europe in a Globalised Context – Oscar Moro Abadía and Bryn Tapper ; A multifaceted approach for contextualising the rock art of the Algonquian First Nations in the Canadian Shield – Daniel Arsenault ; E=mc0, an equation for studying the timeframes of world rock art – Daniel Arsenault ; Des images dans la pierre. Une exposition virtuelle en héritage – M. Jean Tanguay ; Geochemical characterization and direct dating of rock art using radiocarbon and optically stimulated luminescence: the study case of southern Africa and the Canadian Shield – Adelphine Bonneau and Michel Lamothe ; Rock art and spiritual beliefs among non-literate societies: Astronomical representations, indigenous beliefs and superstition – Fernando Augusto Coimbra ; Canadian rock paintings: shamanic or sacred? – Serge Lemaitre ; Northeast Indigenous Iconography from the Canadian subarctic area – Carole Charette ; Pacific worlds: Evolution of a methodology for documenting place-based cultural heritage – RDK Herman ; On The Limitations Of The Notion of Prehistoric ‘Art’: The Case of The Cucuteni-Trypillia Culture of Eastern Europe From Neo-Chalcolithic – Florence Bouvry. |